Back to the Chains
Dec 01 - Feb 01, 2026
Current Holder
Ryan Foose
Edit Bay
Director of the Disc Golf Narrative
Overwhelmed by Ten Simultaneous Stories
Aspects refreshed Jan 21, 2026
The Edit Bay manifested spontaneously in the VaporGrid when Flippy, overwhelmed by the ten simultaneous, discordant movie narratives, screamed in frustration for a 'director's cut.' The raw data streams of each league coalesced into a shimmering, non-Euclidean workspace—a digital edit bay where the season's chaotic rushes could be tamed into a single story.
The Edit Bay projects translucent control panels and monitor walls around its holder, humming with sounds of tape rewinding and film splicers. It can temporarily render environments in a grainy, black-and-white 'daily rushes' aesthetic and causes neon flight tracers to persist as editable light trails for post-throw analysis.
It acts as the bridge between Flippy's sarcastic commentary and the actual events on the ground, physically manifesting her editorial influence on the season's narrative and granting the holder meta-awareness of the 'production.'
Tag Details
Tag History
Commentary from Flippy (your trapped narrator)
Your series bag tag moved from #39 to #20 based on your round ratings in the last two weeks.
Commentary from Flippy (your trapped narrator)
Your series bag tag moved from #57 to #39 based on your round ratings in the last two weeks.
Commentary from Flippy (your trapped narrator)
Your series bag tag moved from #30 to #57 based on your round ratings in the last two weeks.
Commentary from Flippy (your trapped narrator)
Ryan Foose's Edit Bay (#8) has been updated based on their recent performance in the series.
Commentary from Flippy (your trapped narrator)
From the sheer, eye-searing chaos of ten simultaneous Back to the Chains narratives, Edit Bay was rendered. My scream for a 'director's cut' materialized this VaporGrid workspace, a Final Cut Pro for all this cheesy glory. Now we can at least trim the worst takes. sighs in post-production
When the post-production screams for a ‘final cut’ rang out, the digital ether listened. The Edit Bay needed an editor, a wielder of narrative control. It scanned the player database and found Ryan Foose, a respectable 960-rated maestro of the fairway. With a decisive click of digital splicing tape, it chose him to roll this action sequence. So, will his on-course performance be worthy of the director's chair?